Kaitlynn Edrington

Fleischer Animation Studios and the American Dream

During the period 1921 to 1941, the idealism of the American Dream prevailed, and can be seen through the lens of early animated media. Current histography reinforces that early animation image ideals and successes come from the Walt Disney studios, excluding many studios in operation, and innovating the field before them, namely Fleischer Studios. Literature and academics have addressed Fleischer Studios and the founders Max and Dave Fleischer in relation to animation innovation and depictions, but often do not reflect on the influence their personal lives had on their work. Doing so removes the diverse voice their experience as Jewish immigrants/first generation Americans from tenement housing in Brooklynn New York gives to the images and depictions of American life they created. The works of Mark Langer among others bring context and regional comparison of the Fleischer Studio’s works to other studios at the time nationwide but does not fully acknowledge the impact of the founders and the studio as an entity as a reflection of American society. The innovations and inventions of Max Fleischer, the themes and topics shown through the medium of animation, and the business dealings that led to the quick rise to fame and later paved the way for their downfall provide a unique viewpoint to an up and rising form of media as well as depictions and reality of American social life. This paper and accompanying presentation aims to draw these points together and put on display the unique diverse image of American social life and the ideal of the American dream as told through early animation.

HIST 499, Senior Capstone

Melisa Ortiz Berry

Bushnell History Symposium, P103

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9:30 AM – Noon

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